Bio

The stories we can tell between pixels on a screen are how I see you, and how you see me. So how do we get better at telling great ones? When I was 6, I picked up my first controller. I was so enthralled with the narrative, animation, sound design and user feedback interwoven in between buttons that as technology progressed, so did my love for the tales it could tell. As my interest grew, I found that the games most successful in communicating their creative vision and connecting with audiences were the ones with the most efficient and optimized processes to do so. Now with 6 years in the technology industry, I'm still as enthusiastic as ever. I'm self-starter with a passionate interest in gaming,, marketing, digital/social media - and how creativity, processes, and metrics can work together to create great stories. My current work on AAA projects involves collaborating with devs, leads, and directors while managing a series of new production pipelines and processes with agile, scrum, Kanban and waterfall methodologies. In addition to my responsibilities in production management, I also previously taken on the role of Shoot Manager and First AD for all Gameplay motion capture shoots for FarCry 6 and all cinematic shoots for its DLC. Through creating and working with incredible teams, my excitement for gaming and games flourished. I took what I learned as an effective campaign and marketing manager for AAA titles, to be at the forefront of the next generation of games and stories to captivate new and returning audiences. Now, I seek to push any role I'm in to its most effective limit, inspiring innovation and creativity guided by teamwork, empathetic leadership, data analytics and continuous optimization. When processes are easier to follow, the stories we want to tell become more genuine, more clear, and part of what connects millions of people together. First between controllers, then between screens, across VR, and whatever new and exciting technology comes next.